Our author of the month for July is the FANTABULOUS Anyta Sunday. I am a huge fan of her work (as are some of the other Unicorns *cough Jenni Lea *cough*) and so it has been an honour and pleasure to have her visit the clubhouse and answer some questions for us. So without further ado...
BMBR: Hi Anyta, thank you
so much for visiting the clubhouse and being our AOTM. To get to know you
better we put together a few questions....
AS: Thank you Boy Meets Boy
for inviting me to come chat about bits and books. ;)
BMBR: My (Lorix) favourite book of yours is Lenny for your Thoughts. To me, though it carries the trademark Anyta Sunday slow burn and fabulous characters, it has a different feel to it to most of your contemporary novels. Was this intentional or did it just evolve this way?
AS: (Whispers)
It’s my favorite too. ;)
I feel very close to this book; it was one I just had to write, I couldn’t sleep properly
thinking about Lenny and Julien and their story, and each scene snuck up on me,
grabbed hold and wouldn’t let go. I felt Lenny, felt Julien, felt their story
so badly I couldn’t rest until I’d written it. I guess you could say the story
stemmed from an emotion, that yearning and knowing you shouldn’t, that maybe
this love was even wrong, and yet . . . and yet it just felt so right. And so I
explored it the best I could.
It was the first book I wrote where I played with
the time-line having chapters alternate between “then” and “now” and how their
history shapes the insecurities/and deep need of their present.
I originally wrote this book in chronological order,
even though right from the beginning, I knew I would chop it up and mess with
the timeline. I did this so that I could understand each motivation and
mental/emotional head space of the character at that point in their lives and
how it then went on to affect the next stages of their lives. It was through
writing their childhood/teenage years together that I discovered with Lenny and
Julien where and how they very slowly move from a family/cousin-based love to
something more intimate.
When I cut the story up, I added clues in the
present and or past that would then have some emotion significance at another
point of time. For example, there is a moment about a quarter way through the
book where Lenny locks up his best friend Ben and sister Caro in the attic
after they’ve fought. Only later the significance of that action comes out and
why Julien remarks that he took delight in doing it; and that is when we get to
the flashback with Lenny and Julien after their fight as teens, when they made up in the attic.
BMBR: I know you have a whole series for enemies to lovers - but I still have to
ask.... Friends to lovers or enemies to lovers?
AS: LOL.
Funny you ask . . . I am a big enemies-to-lovers and friends-to-lovers fiend, but the first series I wrote (Shane
& Trey, St-st-stuffed, William, The F Words) got pegged early on by a
reader as enemies-to-lovers and it stuck. I was kind of at a loss that anyone was reading my books at all, so
when they put it up on GR as enemies-to-lovers, I was so speechless (and
stoked) that I smiled and nodded, and the subsequent books I tagged as that as
well.
BMBR: Do you have a favourite character (or couple) from your books - and why do they earn the title?
AS: I
love all the boys I write about. As a couple, Lenny and Julien have claimed the
most emotion, but as a single character . . . I think I feel for Rory from The
F Words the most, because he’s gone through a lot with losing his best-friend,
and he redeems himself for being an asshole to Eric. (I like redemption stories
and anti-heroes . . . )
BMBR: Liam, from Liam Davis and the Raven, is a fantastic character. In general you avoid the typical alpha male stereotypes, is this by design or accident?
AS: Liam!
:D He’s a special guy with a mild case of Asperger’s, rendering him a little
socially awkward, he has a big heart—just shows his love differently.
It’s
true, I don’t often write about the alpha male, but . . . well . . . I have
written an urban fantasy novel that is centered on an anti-hero (This is an m-f
novel with an m-m subplot). So there will be a dose of alpha in future books.
BMBR: Where do you find inspiration for characters such as Liam?
AS: Liam
was loosely inspired by someone I knew growing up. A man who was/is socially a
wee bit challenged, but you know that he means well, even if he doesn’t express
it as others might. Of course, that is as far as the resemblance goes. Liam also
reflects the time I was in Pittsburgh and the atmosphere/feelings I felt living
there for a couple of years.
BMBR: Part of our book discussion covered the fact that Shane and Trey was
set in a nameless/ stateless generic country, what inspired you to make this
decision?
AS: The
book discussion! LMAO. Okay, so I stumbled across it when Jenni Lea friended me
over FB, and I couldn’t help myself. I was nervous, because Shane & Trey
was the first gay romance book I wrote and, well, it’s one of those “jeez, I’ve
learned so much since writing this 'cringe' book". Lol. So I went in with a
wince and came out at the other end in tears—of laughter!
Really,
it’s a magical book. Everyone got a different version. Jenni Lea had Shane
& Troy, Lori had the no camping
or dorm party scene, Natasha had clown orgies, and there were various unicorns
making guest appearances, as well as some toe licking going on just for Breann .
. .
Ah,
crap, I’m giggling just remembering! First of all, thank you for that fun and
for all of you taking your time to read it.
Secondly,
to address the different version thing . . . I mentioned cringing above, well,
a few months ago I went over the story again and I just went through shaking my
head. I couldn’t re-write the entire thing, but boy something needed to be
done. So I got my red pen (delete button) and slashed the thing apart. I took
out about 20K of story and tightened it up a bit, got rid of the
misunderstanding that even drove me crazy re-reading it (although, can I admit
here, that I don’t mind a wee bit of this in other stories I read), and I added
in a second sex scene (where Shane bottoms) because I felt like I had left
something out in their coming-of-age-and-sexual-experience. I also wanted to
have the ending more hopeful with the father, so I tweaked a few lines with him
as well. Oh, and a couple of other bits and pieces to make it seem less
“cheaty” which was never my intention in this book. It was more meant to be an
exploration of teenage angst and figuring out oneself and what one likes/needs
etc. Yeah, the guys make mistakes and screw up a bit, but hell, didn’t we all
at that age?
Now
to the actual question, because it’s a really interesting one: the setting.
I
think the setting-less state of the story really came from a feeling of
homelessness. When I wrote this book, I didn’t feel at home anywhere. I mean, I
love New Zealand and I was happily brought up there, but it didn’t feel like
the place where I was going to settle, and then I began travelling and ended up
in Berlin, and back then, while I loved Germany, I still felt like it wasn’t
“my place” either. It was like I had no “me” in association with a place. I was just me regardless of place. And I still felt real and alive and I still
had emotion and relationships that worked. So when I wrote Shane & Trey and
St-st-stuffed the characters and the story, and their emotions and journey was
important, but it didn’t matter where they were. I wanted it to be a story that
could exist anywhere, and tried to be vague with details of place.
However,
linguistics failed me in this aim. Because I grew up a Kiwi, there are words,
and syntax and grammar etc. that I use without even thinking—like the beloved
fish-slice ;)—that mark the story and force it to have a setting.
Because
of that, I realized it was a mistake not to have set it somewhere concrete, and
which was why in the third book, I moved the series to New Zealand, where I
could ground readers more in a sense of time and place.
(Oh,
and just to clarify, Emma was not a beta reader for Shane & Trey. Have no
idea where and how that came about???) :P
BMBR: What inspired you to have siblings (twins, even!) as the "rivals" for the MC's affections in Shane and Trey?
AS: I
can’t remember! I think I just wanted to create some immediate tension right
from the start, and figured . . . yeah, twins who like the same guy, that’s a
nice pickle!
BMBR: Did it feel controversial using cousins as the MC's in Lenny for Your Thoughts?
BMBR: Did it feel controversial using cousins as the MC's in Lenny for Your Thoughts?
AS: I know
two cousins falling in love is controversial to people, but it made me need to
write the book more, because I understood it . . . love has no boundaries.
Lenny and Julien fell in love with each other, and that’s beautiful.
(It so was, their relationship was...ungh!)
BMBR: What is your favourite thing about writing? And the worst?
AS: Favorite
thing . . . I love it when a story comes crashing into your heart and you just
need to get it written, and I also love the feeling that comes when it’s done,
it’s written, and that little bit of love that was only in your head is now
alive and real.
BMBR: and lastly, but very, very important...starters, mains or pudding?
AS: PUDDING!
Thank you so much Anyta for stopping by. Of course we couldn't invite an Author of the Month into the stable without immortalising them forever as a unicorn. So, from the 'pen' of the talented Natasha Snow, I'd like to introduce....
Thank you so much Anyta for stopping by. Of course we couldn't invite an Author of the Month into the stable without immortalising them forever as a unicorn. So, from the 'pen' of the talented Natasha Snow, I'd like to introduce....
Now ain't that just the most adorable unicorn ever?
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