Blog Tour & Giveaway: Storm Moon Press's 4th Anniversary - "A Diverse Publisher - Mission Accomplished" by Lor Rose

Today we're helping Storm Moon Press celebrate their fourth anniversary by hosting a stop on their blog tour. Author Lor Rose stops by BMBR to chat fiction and life in the blog post below.

My life is [F bomb] insane.

Really.

I'm not kidding.

I get crazy calls all the time. The text conversations are crazy weird full of emoti-cons and colorful language. Other instances, I have no idea who I'm talking to (or texting) because there's no such thing as a "personal phone." Sometimes I come home to clothes thrown everywhere, boiling eggs forgotten on the stove, and things turned over; it looks like a ransacking, but I know that's not what happened. When out in public, people stare at me and whisper their disapproval, interest, or (in most cases) disbelief.

Why you ask?

That's a very simple question but it has a complicated answer. (Isn't that how it always works out?)

I'm a polyamorous gender-fluid demipansexual, and I live with my five male partners. We're a diverse group of folk, that's for sure. We're sort of like fiction.

Take a mythical beast with trust issues and a love for half tea half lemonade, a swash buckling hero who's sword is too big (compensating?), an android that doesn't understand he's not human at all but a complex network of synthetic organisms (ohhh, angst), a damsel in distress (but not really because she's really a he-- plot twist!), a poet who can't rhyme (or really write at all), and a serial killer (that doesn't like killing)... and you've pretty much got us nailed.

Any two characters above could work in a story together (it might be a little weird but people like "a little weird") but all them in one story? Hell to the no. It's weird. Things just don't add up. Those elements can't work. It's impossible. That fictional story is just too "out there", even for the most adventures reader.

Well, guess what. That book exists. The characters are real (sort of) and they thrive together. Those characters are my life. My partners and I are those characters. We shouldn't work when shoved all together, but we do. All the different elements that make us human, individuals, the personalities, mesh so well sometimes it's scary. Other times, our Android and Poet argue over the validity of Android's emotions (Does Android's soul really exist?). Damsel swoops in making everything better or worse; meanwhile, Serial Killer watches without much input. Our Hero tries brandishing his gallant sword but it's not enough. Only through the combined efforts of Hero and the Beast does peace finally return.

We each deal with personal issues (plot twists) differently. Sometimes, we can work it out without the influences of the group, but occasionally, all of us weird characters have to come together and use our own unique quirks to resolve the problem.

Our diversity makes us stronger.

We celebrate our differences, and Storm Moon Press does the same with fiction. Genres intertwine with the creativity of authors, both published and unpublished. Some genres celebrate the taboo while publishers (generally, not all of them) shy away. Storm Moon doesn't. It's one of the things that initially drew me to the press as an author.

What if I write something with a little incest? Or an extreme scar fetish? What about a rape fantasy, explicit and vivid, all for the purpose of the character's pleasure? Or perhaps something a little darker, the forced servitude of another? (Which is one of personal favorite reads, just so everyone knows.) I wanted a press that wouldn't reject what I wanted to write because of its taboo content but because it truly sucked.

Mission accomplished.

I win.

This post is part of Storm Moon Press' 4th Anniversary Blog Tour! Thank you for joining us, and please take a moment to enter our blog-tour-wide giveaway! The prize is receiving an ebook each month from SMP for 12 months! We hope to see you around the Internet and at RainbowCon in 2014! Happy New Year!

SMP's 4th Anniversary Rafflecopter Giveaway

About the Author: Lor Rose is a snarky, over the top, genderfluid, polyamorous demipansexual with dark hair and pink highlights (although sometimes the color varies). She started reading very questionable M/M fanfiction at a very young age in the closet. Literally. Though, that didn't stop her from getting caught once or twice. This early love of things M/M sparked her writing career. Her short stories are in Storm Moon Press' Gay & Lesbian Coffee Break Quickies and Dracones anthologies. She can be found on Twitter @Lor_Rose9009.

Blog Tour & Giveaway: An Ode to the Bittersweet - Derek Bishop's "Incendium"

Today we have Derek Bishop visiting the blog to talk about his latest book, Incendium. Let's give him a unipornian whinny of welcome!

I've just published my first work of romantic fiction. It does not have a traditional happily-ever-after ending. For this reason, I don't really have the right to call it a Romance with a capital "R". I'm still new to the genre, both as a reader and as a writer, so when I was first told this, my bewildered expression must have resembled the one Catholics show when Southern Baptists kindly inform them they're not real Christians.

"But―but... it's a love story. It's got sex scenes in it―"

Nope. Not allowed.

I felt like that awkward girl no one wanted to dance with at prom.

I don’t mean to criticize the hallowed HEA; I love HEA endings. I love romances that weather the test of time and endure for decades. I get teary-eyed from reading or watching them. I want to write other romantic stories that do have an HEA ending. A typical happily-ever-after was not the right conclusion for my novella, though. I certainly appreciate the overwhelming appeal of the HEA, but is this the only definition of happiness allowed at the close of a love story? A bittersweet ending can also have satisfying, emotionally-powerful impact. Is there not a place for it in this market, in this community?

A common response to the critique of HEA sacrosanctness seems to be, "Well, if I wanted to be sad, I would open a newspaper." But an ending that is not an HEA does not preclude a happy ending. Among the Romance genre, the meaning of HEA has shifted from its literal one; it does not necessitate that the main characters are believably happy, but that they are, above everything else, together. The mechanisms to deliver the heroine/hero into this situation sometimes come across as contrived and strain the bounds of belief. In some novels, it seems as though it's more important for the h/h to be together than it is for them to find actual happiness. Sometimes a story just needs a bittersweet ending to make it as good as it's meant to be.

Love stories with tragic endings have always resonated within the human psyche. There is something about the catharsis of feeling someone else's heartbreak that leaves us clean and reborn afterwards. Tragedies are extremely sad, though, which is why they are not Romances in the modern definition of the term. However, we no longer live in a time when Janus has only two faces. The human race figured out how to fuse comedy and tragedy long ago; a motley mix of the two is available. Enter the bittersweet ending―an ending in which something terrible happens in order for something wonderful to occur, the best of both worlds.

There are many tremendous love stories that do not end with the lovers being together, and while they may be romantic, they are not Romances. They are literary fiction, or some other classification of fiction. The Romance label or any form of it, guarantees an HEA. I have read and heard it expressed by several Romance authors that they wanted to write a different ending to one of their novels, one they thought was better, one the story deserved, but they had to forgo it in favor of a contrived ending to keep the characters together. How many great endings have we missed out on because of the HEA standard?

Many fans would tell me, "Well, if you don't want an HEA, then just go read another genre." But an HEA ending is not the only convention of Romance. There are the explicit―arguably extraneous―sex scenes, but these are only a shallow trapping, and not all Romance stories contain them. The plot of every Romance, however, is structured around the evolution of a romantic relationship in a way that is unique to the genre. There is the significant meeting of the lovers for the first time, the build up to their first kiss, the first time they say the "L" word to each other, the resolution of the inner conflict between them, and then the strength of their bond overcoming the outer conflict that threatens them.

At its core, a Romance is about two people overcoming an obstacle that keeps them from being happy. It depicts a relationship that is attacked on two fronts―an internal, emotional conflict within one or both lovers’ hearts, and an external one keeping them apart through either a physical or social hindrance. While most non-Romance love stories tend to focus on one or the other of these two types of conflict, within a Romance, they are linked. The inner conflict has to be resolved, and the two principal characters fully realize their love for each other, before this connection can give them the strength to overcome their outward hardships.

Romance stories are about triumph. The RWA definition requires that they have, "an emotionally satisfying and optimistic ending" and that "the lovers who risk and struggle for each other and their relationship are rewarded with emotional justice and unconditional love." In a bittersweet ending, the lovers may realize the love they had for each other separately, at different times, or perhaps one after the other has died. Even if they are forced, or decide to be apart, for whatever extenuating circumstances, the reward of their unconditional love can still occur and emotional justice triumph over the outward conflict. There can still be a hopeful and optimistic ending, even if they do not end up together.

What is more romantic than someone sacrificing themselves for their love? Or when a character realizes they cannot be with their lover without hurting them or putting their life in danger? Or when the protagonist learns wisdom from a failed relationship and the experience makes them ready to bond with a more compatible partner?

The HEA will always dominate the genre; that is something none of us need fear will change. So I would recommend that even if you are an adamant proponent (or fanatic perhaps?) of the HEA, you should give the bittersweet ending a chance sometime. Venture out from Romance with a capital "R" and see how it goes. I know some of you have been hurt before; you've been betrayed, thinking you were getting an HEA ending, and then did not. Some standard of categorization should be made to manage readers' expectations of the endings they will get. But what if you went into the experience knowing it was going to be something else? What if you were prepared for the catharsis that waited at the end?

If you're someone who already enjoys bittersweet endings, I urge you to continue to support authors that offer that kind of experience. It will increase acceptance for these types of stories in the Romance(ish) market. For instance, (and I say this completely objectively, with no bias or self-interest whatsoever:) you might stop by the Storm Moon Press website and take a look at my novella, Incendium.

GIVEAWAY OPPORTUNITY

Thanks for joining us on the Incendium blog tour! Be sure to take part in our giveaway! You have several options to be entered through our Rafflecopter, but you get the most entries by leaving a comment on this post! Today's question is...

How do you feel about bittersweet endings in romance?

Enter Derek Bishop's Incendium Rafflecopter Giveaway HERE

About the Author: Derek Bishop grew up in a small Virginia town along the Blue Ridge Mountains. He was raised on Southern Baptism and Star Trek. The Star Trek was the one that stuck. His parents were both teachers and imparted a love of literature and wilderness exploration on him. He went to school at the College of William and Mary in Williamsburg, Virginia where he learned the joys of studying feminist theory, dancing to techno music, and grocery shopping side by side with colonial costumed re-enactors. He left one class short of a Gender Studies major and several classes too far of an English major. His latest work, Incendium, is now available from Storm Moon Press.