Join author Jeanne Reames & Riptide Publishing in celebrating the release of Dancing With the Lion: Rise. Find out more about this historical series & enter in the giveaway for a $10 Riptide gift card. Good luck!
LOVE AND WAR
LOVE AND WAR
A persistent, annoying, misogynistic delusion says Romance readers (female or male), or women generally, can’t handle things like hard science fiction, political intrigue, and, especially, military matters. Our pretty little heads are incapable of understanding that “serious stuff.” All we care about are love affairs and fashion.
Hoo-boy, don’t get me started or I might skewer somebody. (At left, the author holding a Macedonian sarissa, or pike.)
Funny story about SF author Catherine Asaro: she’s known for her hard-SF Romances, but what a lot of readers don’t know is she’s also Dr. Catherine Asaro, with a PhD in chemical physics from no less a school than Harvard. Some years back, on a now-defunct bulletin board, a male reader proceeded to try to mansplain how Asaro’s physics of space travel just wouldn’t work, and poor lady authors who want romance shouldn’t write in a SERIOUS genre such as hard SF. Well, Dr. Asaro dropped into the convo, citing several of her own published articles in peer-reviewed journals, then proceeded to demolish fan-boy’s ignorant objections to her theories. It was a beautiful thing to behold.
Women do math and science, dammit—as demonstrated by my Kleopatra in the novels.
I don’t believe for one minute that some Romance readers might not like to know a little about the military matters I describe in Dancing with the Lion, not just the hair and clothes (as I do detail in another blog).
When modern readers imagine ancient Mediterranean armies, it’s usually the Roman legion that comes to mind. The Greek phalanx is similar…but not. A phalanx is a big rectangular block of infantry, usually 8-deep, that presented a “locked shields” front. Larger armies were made up of several phalanges (phalanxes) in a row. Armies were chiefly infantry as horses don’t do well in the rocky Greek south. So their armies had a lot of light troops, such as slingers, but little horse.
Yet Greek infantry was legendary. These “Men of Bronze” were sought-after mercenaries in Ancient Near Eastern armies, and would famously rout the Persians at the Battle of Marathon despite being outnumbered. Southern Greek cities also had excellent navies, although Macedonia didn’t, so I won’t address navies here.
The infantryman, or “hoplite,” was armed with a big-ass round, convex shield covering him from chin to knee; a bronze helmet; and—depending on how much money his family had—a bronze breastplate or a cuirass of fused, tough, glued linen with girdle plates; and maybe bronze greaves covering his shins. From the front, this presented a pretty solid defense. But if, in video-games, Greek soldiers all look alike, in truth, Greek armor varied a lot. Helmet styles differed vastly by region (Corinthian top left, and Phrygian bottom), and how much armor a soldier could afford also differed. Shield devices were personal (as in the image above). Put simply: THERE WAS NO ANCIENT GREEK UNIFORM. Individuality mattered. (Top left: hoplites with shields, and top right: for size, a grad student, 4’10”, holding one during a demonstration at UNO in 2016. Bottom, hoplite in a cuirass, which shows the inside of the shield and how it was carried.)
Why the differences among real soldiers? They armed themselves; city-states didn’t provide equipment. So what they brought to the field was whatever they could afford. Also, the primary weapon of the Greek infantryman was the SPEAR, not a sword. Swords were secondary, used only after your spear broke. While Greek armies did have archers along with slingers and peltasts (javelin-men), Greek infantry viewed the bow as a coward’s weapon.
When Philip took over as king of Macedon, the army got a serious overhaul. First, Macedonia—unlike the south—had horses. In fact, prior Macedonian armies had been CAVALRY armies, with limited infantry. Philip reformed the infantry by lightening their armor and giving them the ultimate “pig-poker”: a 15-foot sarissa, or pike. It was about twice as long as a normal Greek spear, requiring one to wield it two-handed.
Then he shaped up the cavalry, arming them more heavily and deploying them in triangular “spear point” formations, which allowed them to shift direction quickly at a gallop. They carried the xyston, which wasn’t as long as a sarissa, but still formidable. Incidentally, ancient cavalry used neither saddles nor stirrups, only a saddlecloth.
This Macedonian sarissa phalanx became the ANVIL, while his heavy cavalry became the HAMMER. The Macedonian phalanx would engage the enemy, holding them in place on the battlefield, then Philip would send in his much more mobile cavalry to smash into the enemy flank or rear, tearing them to shreds. It worked. Over and over, it worked. Alexander took that formation strategy to Asia. It worked there too.
So when I describe military matters in Dancing with the Lion, now readers have a better visual image. And don’t let anybody tell you female readers can’t enjoy reading battle scenes, or that female novelists can’t write them.
The hell we can!
After all, the ancient Greeks paired the goddess of love, Aphrodite, with the god of war, Ares. And in the Ancient Near East? Innana/Ishtar was goddess of both, together.
About Dancing with the Lion: Rise
The story of Alexander before he became “the Great.”
Finished with schooling, Alexandros is appointed regent of Makedon while his father is away on campaign. He thrives with his new authority—this is the role he was born for—yet it creates conflict with his mother and Hephaistion. And when his soldiers, whom he leads with unexpected skill, start to call him “The Little King,” his father is less than delighted.
Tensions escalate between Alexandros and his father, and between Makedon and the city-states of southern Greece. As the drums of war sound, king and crown prince quarrel during their march to meet the Greeks in combat. Among other things, his father wants to know he can produce heirs, and thinks he should take a mistress, an idea Alexandros resists.
After the south is pacified, friction remains between Alexandros and the king. Hostilities explode at festivities for his father’s latest wedding, forcing Alexandros to flee in the middle of the night with his mother and Hephaistion. The rigors of exile strain his relationships, but the path to the throne will be his biggest challenge yet: a face-off for power between the talented young cub and the seasoned old lion.
About the Series
Alexandros is expected to command, not to crave the warmth of friendship with an equal. In a kingdom where his shrewd mother and sister are deemed inferior for their sex, and his love for Hephaistion could be seen as submission to an older boy, Alexandros longs to be a human being when everyone but Hephaistion just wants him to be a king.
About Jeanne Reames
Jeanne Reames has been scribbling fiction since 6th grade, when her “write a sentence with this vocabulary word” turned into paragraphs, then into stories…and her teacher let her get away with it—even encouraged her! But she wears a few other hats, too, including history professor, graduate program chair, and director of the Ancient Mediterranean Studies Program at her university. She’s written academic articles about Alexander and ancient Macedonia, and does her best to interest undergrads in Greek history by teaching them (et al.) to swear in ancient Greek.
On Facebook: facebook.com/jeanne.reames.3
On Instagram: instagram.com/jeannereames
On Twitter: twitter.com/DrReames
To celebrate this release, one lucky person will win a $10 gift card to Riptide. Leave a comment with your contact info to enter the contest. Entries close at midnight, Eastern time, on October 26, 2019. Contest is NOT restricted to U.S. entries. Thanks for following along, and don’t forget to leave your contact info!
