Showing posts with label Steve Buford. Show all posts
Showing posts with label Steve Buford. Show all posts

Release Blitz + Giveaway: Crossed Lines (Summerskill and Lyon #4) by Steve Burford


The Crossed Lines (Summerskill and Lyon #4) release blitz is presented by author Steve Buford and IndiGo Marketing! Learn more about the latest and enter in the NineStar Press credit giveaway!

Title: Crossed Lines

Series: Summerskill and Lyon, Book Four

Author: Steve Burford

Publisher: NineStar Press

Release Date: 11/23/2021

Heat Level: 1 - No Sex

Pairing: No Romance

Length: 69600

Genre: Contemporary Crime, LGBTQIA+, Contemporary, crime, family-drama, gay, policeman, murder, gay and lesbian switchboard, MP

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Description

“Victor really was a very good man.”

Why then did someone brutally murder Victor Whyte, an elderly man chiefly known for his dedication to helping the gay community?

Inspector Claire Summerskill and Sergeant Dave Lyon investigate and are drawn into the world of the Hereford and Worcester Lesbian and Gay Switchboard, a telephone helpline for LGBQT+ people. Operatives and callers help piece together a picture of the murdered man, and gradually a surprising picture of Victor emerges with the possibility of a murderer in the very last place Summerskill and Lyon would have thought of.

Even as they deal with this latest case, the two officers are forced to deal with turning points in their personal lives. Can Claire balance the demands of her position as an inspector with those of her husband and children? Is Dave ready to settle into a relationship with earnest young police officer Joe Jones or will he opt instead for the excitement of an almost certainly shorter fling with charismatic MP Sean Cullen? And what exactly is Sean’s real motivation?

Crossing Lines is the fourth in the series of Summerskill and Lyon police procedural novels.

Excerpt

Crossed Lines
Steve Burford © 2021
All Rights Reserved

Dave Lyon examined the muscular, naked man smiling up at him from the sheepskin rug. “I’m a Power Bottom,” read the caption beneath him, “And I Always Have Safer Sex.” Dave sighed.

“Wishing you were curled up with him?” his immediate boss, DI Claire Summerskill, asked as she entered the cramped office. “Or is there only room on your rug for one other now?”

“You know you get very camp when you take the piss. Ma’am.”

Claire shrugged. “That was quite a longing look there. Love’s young dream isn’t fading already, is it?”

“Love’s young dream is, at this moment, on hold while Love’s young dreamers investigate a murder.” Dave indicated the poster they had been considering. “And actually, I was wondering why gay men have to be in such a rush to label themselves. ‘Top’. ‘Bottom’. ‘Passive’. ‘Submissive’. It’s more confusing than quantum physics.” He gave one last look at the happy stud on the rug, particularly at his magnificently rounded arse. “Still, this was in a good cause, I suppose.”

“Eyes back in your head and on me, Sergeant. Let’s have a look at what we’ve got here. Could you give us a moment, please, Maggie?”

The SOCO officer in whites put down her camera and stepped away from what she was photographing, revealing the figure of a man slumped in a chair in front of a desk. His face was distorted and blackened. Around his neck was a length of telephone cord wrapped several times and pulled tightly into the flesh.

“I’ve only seen one other person killed like this,” Claire said quietly.

“Bill Kilby.”

“Yeah. But he was a big man, prime of his life.” She grimaced. “Bit of a shit, too, as you’ll recall. But this. An old man. On his own.” She scanned the cramped room. “Surely there wasn’t anything of value here?”

“I wouldn’t have thought so,” Dave said. “We’ll find out soon enough, I suppose.”

Claire took a moment to imprint the unpleasant scene on her memory. She hated it, bitterly resented filling her mind with such vile imagery. But it was her job, and the only way to exorcise the picture was to find the bastard responsible for it, and if that meant sitting on any squeamishness she had till it was done, then that was what she would do. “All right, Maggie,” she said finally, gesturing for the SOCO officer to return to her work. She turned to Dave. “Let’s go and talk to these witnesses Chris has got for us and see if we can’t begin piecing together what’s gone down here.”

Summerskill and Lyon stepped out of the office and into a large, incongruously ornate hall. On three sides was a series of doors, all presumably leading to small offices or rooms similar to the one they had come out of. Above them, there was a mezzanine, with more doors all around that. White columns, presumably wooden but carved like something out of a Greek temple, reared up around the space, topped with gilded wreaths of what Claire assumed were meant to be laurel leaves. “What is this place?”

“How long have you lived in this city?” Dave reached for his notebook.

Claire scowled but couldn’t deny the implied criticism. The building they were in stood on the very edge of the city’s high street, its worn brick and wood exterior a sharp contrast to the clean-cut brightness of the metal and glass shop fronts surrounding it. Over the years she had lived in Worcester, Claire must have passed it several hundred times, either while on duty or when out shopping, but beyond its name, which was carved in stone over the impressive main double-door entrance, she realised she didn’t know anything about it at all.

“The Halo Centre,” Dave read from his pad. “Grade Two listed building. Built 1887 by the Congressional Church as a Sunday school. Repurposed as Vagabonds Nightclub, 1974. Repurposed again in 1990 as a centre for various arts and charity groups.” He flipped his notebook shut and slipped it back into his jacket pocket. “Including the Worcester and Hereford Gay and Lesbian Switchboard.”

“And what’s that when it’s at home? Some kind of hook-up operation?”

“It’s a telephone helpline. The sort of place you can turn to in the face of all too prevalent homophobia. And microaggression.” He gave his boss a look that he would have described as “jaundiced” and she would have dismissed as “sarky”. “The Centre is noted as having an unusual plan with offices in rows around a central two-storey hall with a gallery on columns in polygonal plan.’”

“You had time to look up and memorise all that, and you still got here before me?”

“Other way round, ma’am. I got here first and then had time to learn it. While I waited.”

Claire scowled at him again and strode out across the hall towards the small group of people gathered at the far end. “I might be slow in traffic, but you’d be amazed how fast I can bust mardy sergeants. Chris!” she called out.

Sergeant Chris McNeil looked up from the seated person he was dealing with. “Inspector. Sergeant.”

“What have we got?”

“Will you excuse me for a minute, please?” Sergeant McNeil stepped away from the man he’d been talking to and moved to one side so he could speak to Claire and Dave in a low voice. “You’ve seen the victim? Name is Victor Whyte. Midseventies. Was working for the Worcester and Hereford Lesbian and Gay Switchboard. That’s their office where you saw him. The Switchboard is for—”

“I know what the Switchboard is for,” Claire said. Dave coughed. She ignored him. “And these people are witnesses?” She indicated the man McNeil had been talking to and the woman across the hall who was also seated and being attended by a pair of paramedics.

“Kind of. Both that bit too late to stop the killer, and neither able to detain him. He was long gone before we got here, ma’am.”

Claire looked across to the seated woman. “Is she okay?”

“Slight bump on the head and a small amount of bleeding from a cut on her cheek. Nothing major. Bit shook up though.”

“Not surprising. And what were these two doing here at this time of night? Do they both work for the Switchboard?”

“The man does. He’s another Switchboard volunteer. The current chairman in fact. The woman is a cleaner for the Halo Centre. Works in all the offices.”

“Right. Pad out again, Sergeant,” she said to Dave. “Let’s go and talk to these people.”

Purchase

NineStar Press | Books2Read

Meet the Author

Steve Burford lives close to Worcester but rarely risks walking its streets. He has loaded conveyor belts in a factory, disassembled aeroplane seats, picked fruit on farms, and taught drama to teenagers but now spends his time writing in a variety of genres under a variety of names. He finds poverty an effective muse, and since his last book has once again been in trouble with the police. (He would like to thank the inventor of the speed camera.)

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Review: It's a Sin (Summerskill and Lyon, #1) by Steve Burford

“He is a talented and very promising young policeman. Make no mistakes, he deserves the promotion.”

But when gay Detective Sergeant Dave Lyon is assigned to Detective Inspector Claire Summerskill’s team as part of the Service’s ‘positive discrimination policy’, no-one at Foregate Street Station is happy. And that includes Summerskill and Lyon.

Mutual suspicion and mistrust must be shelved however, when a young man’s beaten body is found on a canal tow path, and a dead-end case of ‘happy slapping’ unexpectedly turns into a murder investigation.

Why would someone want to kill middle class arts student Jonathan Williams? And how is his death linked to that of rent boy and would be ‘adult’ film star Sean?

As Summerskill and Lyon’s investigations proceed, the newly-promoted detectives begin to untangle a web of connections, false assumptions and sheer prejudices that force them both to question closely not just their relationship with each other but with the rest of their colleagues at Foregate Street Station and with the Police Service as a whole.

“It’s A Sin” is the first in the “Summerskill and Lyon” police procedural novels.


This book!! I loved it. Utterly loved it. It sent me on a crime fiction reading spree which I've thoroughly enjoyed. Written in a way that combines the action storyline with the character building and emotional arc, I was hooked from beginning to end. I went searching on GR for more books by this author and was disappointed not to find any.

First I feel I ought to state that this is not a romance - only because I know many of the blog followers like a good romance. This is a crime fiction book in which we meet Dave Lyon and Claire Summerskill, both as they are moving into new positions where they need to prove themselves. Both having to prove themselves just that little bit more; one because she is female, the other because he is gay. It's not overt, that extra push they have to give, but both are a step out of the white, straight, male bracket that society accepts so readily. Of course, this is only the first in the series, so I'm hoping that relationships will develop and evolve as more books are produced.
'"It was thought," he said finally, "that you might be sympathetic. To the situation of... minorities."
Claire regarded him incredulously. "Because I'm a woman?
"No," said Chief Inspector Madden, with benign reasonableness, "because you're Welsh." '
The second thing I want to mention is that there was something undeniably British about this book. I don't even know what specifically made me feel like that. Just because a book is set this side of the pond doesn't mean it necessarily feels particularly of the country, many feel generic - change a couple of spellings and brand names and they could be set in another country. I don't dislike books like this at all, but there is something about a book when it feels British, it has an emotionally evocative air. It feels right - familiar - in the core of me. Kind of like when you catch the the whiff of an aroma that sets off your memory. Sometimes it's very specific, other times it's just a general feeling of childhood, or schooldays, or happy times. Do you know what I mean? Nope? Lost you at the last turn, huh? TL;DR for this para: it felt British, it felt like home.

 Each character in this book was real, rounded and wonderfully written. Claire is the first female character who didn't get on my very last nerve that I've read in along time. She wasn't a caricature, she was someone to whom I could relate. I didn't skim read her pages while rolling my eyes, I was just as invested in her story as Dave's.
'He sighed. "Do you know when a gay man stops coming out? Never. You start a new job, you move to a new flat, you meet someone in a pub. Sooner or later someone says something like, 'So do you have  a wife? A girlfriend? Children?' And you have to decide, do you hedge, do you lie, or do you live an honest life. I decided years ago I wanted to live an honest life."'
I had to stop for a moment when I read this paragraph. Not because I was suddenly being hit by an unknown truth, but because I had this conversation with my brother and it sticks with me. It's not even about open prejudice, but about assumption. People can be open and accepting and not give two hoots about a person's sexuality - but as the general default thought is people are straight, there is a degree of explaining to do with every new person. Which must be quite tiring, as is any kind of repetitive explanation. Especially when you can never quite be sure what the reaction to the information might be.

I think it was the draw of these two characters - characters I understood and believed in - coupled with a twisting storyline which kept me guessing, that won this story for me. I really can't wait until the next one comes out.


A copy of this story was given in exchange for an honest review.
For more information see Goodreads.

Purchase Links:

NineStar Press: http://ninestarpress.com/product/its-a-sin/
Amazon: http://www.amazon.com/Its-Sin-Summerskill-Lyon-Book-ebook/dp/B01AFP5EGY




Check out more information from the author and read an excerpt from "It's a Sin"

Author Bio

Steve Burford lives in one of the less well-to-do areas of Malvern mentioned in the novel. When not writing in a variety of genres under a variety of names, he tries to teach drama to teenagers. He has only occasionally been in trouble with the police.


Excerpt
©Steve Burford 2016
All rights reserved

Three people walked past him on the canal path that cold November morning before anyone realised something was wrong.

The first, a professional man, out early for the morning paper, saw him sitting under the small footbridge that crossed the narrow strip of dark water. He took in the face-concealing hoodie, the flashy and doubtless ridiculously expensive trainers, and kept as far away from him as he possibly could without actually walking on the water itself. The skin on the back of his neck prickled nervously as he walked past the youth, and the Guardian was rolled tight in his fist ready to beat the lad off if he leapt on him from behind. But the slouched figure remained immobile, his back to the bridge’s crumbling brickwork, and the man passed by unscathed, relieved and curiously exhilarated.

A young mother pushing her pram had been next. She hesitated when she came upon the sitting figure, glanced nervously at the precious bundle in front of her, then steeled herself and marched straight past him, arms stiff, pram a small juggernaut. She passed safely, and laughed a little to herself at the frantic hammering of her heart and her breathlessness. She cooed nonsense to her child about ‘silly mummys’, and inwardly vowed never to go that way again at that time of the morning.

It was the elderly man walking his dog, diligently employing his pooper scooper, who wondered what a young lad would be doing sitting on the damp grass, propped against a dripping stone wall so early in the day, and who asked himself if, maybe, something might be wrong. He moved a little closer, pulling slightly at the dog suddenly grown restive on its lead. Perhaps the boy was drunk. Well, he’d had a couple of mornings like that himself when he’d been that age. Or maybe he was stoned or high or whatever the hell they called it nowadays. And what were you supposed to do then? He hesitated. His dog whined.

And then it hit the old man: what if the boy in front of him was dead?