Showing posts with label Fisherman. Show all posts
Showing posts with label Fisherman. Show all posts

Release Blitz + Giveaway: Sea Lover by J.K. Pendragon


Author J.K. Pendragon and IndiGo Marketing host today's release blitz for fantasy romance, Sea Lover! Mermen fans might want to check it out and enter in today's giveaway for a $10 NineStar Press credit!

Title: Sea Lover

Author: J.K. Pendragon

Publisher: NineStar Press

Release Date: 06/28/2021

Heat Level: 3 - Some Sex

Pairing: Male/Male

Length: 27300

Genre: Paranormal, LGBTQIA+, MM-trans romance, merman, fisherman, interspecies, fantasy

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Description

Ian is happy with his life in a remote Canadian fishing town, where he has only the sea and his fishing crew for company. People say being alone is terrible, but he’s never had any problems with it.

Then his peaceful life is thrown into upheaval when he finds an injured merman washed up on the shore. With no idea what else to do, Ian takes the merman home and nurses him back to health.

But as he helps S’mika heal, a bond begins to form, and Ian starts to wonder if maybe there is more to life than being alone…

Excerpt

Sea Lover
J.K. Pendragon © 2021
All Rights Reserved

He found the merman on the beach as the sun was setting orange over the horizon and the waves were turning a deep green with foamy, silver tips. The tide was going out, and every time the waves washed over the body lying prone in the surf, they took swirls of dark blood with them.

Ian’s first thought was that it must be a seal, injured and washed up on the beach. He resolved to come back in the morning, drag the thing up to his cottage, and burn it so it didn’t rot and stink to high heaven for the next couple of weeks. But as he got closer, another wave washed in and rolled the figure up and over, so that it was lying on its back. As it rolled, Ian saw a long, spindly arm drop to the side and a mess of shiny, black hair.

He dropped the net and tackle he was carrying and ran, his heavy fishing boots sinking into the sand and catching on the rocks and seaweed as he sprinted towards the figure. He fell to his knees at the man’s side as the waves washed up over his body once more and was distracted for a moment, frantically checking vitals before he glanced over and saw the tail.

Ian sat back on his knees and gave a weak laugh. It had to be a joke. Some very realistic art project that had befallen unfortunate circumstances. But then the figure breathed and convulsed forward, coughing and spitting. Ian stared as the man, or boy—he didn’t look older than twenty—frantically pulled himself over onto his side and pressed his head to the sand, gagging. Then his face tightened, and he made a keening, painful noise, before glancing down at the thick, blubbery, black tail.

Without thinking, Ian lunged forward. “Don’t move,” he said hoarsely, and the boy looked up at him, his dark eyes showing no sign he understood what Ian was saying. His hair and skin were both dark, too, and Ian wondered briefly if the tail was some sort of cultural attire. Or maybe there was a movie filming in the area that he hadn’t heard about? Then he decided that it didn’t matter, because the boy was obviously badly injured, and he needed to get whatever it was off. He reached for his knife at his side and swore when he realised he’d left it in the bag with his tackle.

“Shit. Lie back.” He gently pushed on the boy’s shoulders so he understood. The boy complied, lying back with another whine of pain as Ian moved his hands down his torso, desperately trying to find the place where the brown skin met black pelt. He couldn’t.

“What is this?” he asked, flabbergasted. “How do I get it off?”

He glanced up in time for the boy to make a twisted face. The boy opened his mouth, obviously frustrated, and let out another high-pitched cry, followed by a noise that was halfway between a growl and a bark. Then his head whipped back, and he convulsed again, bringing the full weight of his tail up, and Ian saw the injury—a gash, deep enough to cut through the muscle and possibly tendons. It was difficult to see the depth of the injury, because blood was gushing up out of it as he thrashed.

The blood spattered Ian in the face, and he wiped at it, stunned. This was not normal. Being a fisherman meant he had to be able to handle himself in tense and stressful situations, and usually he was great at it, but this…? This was something else.

“Hey,” he said sharply as the boy writhed on the blood-soaked sand, obviously in terrible pain. “You need to stop moving. You’re only going to make it worse. Do you understand me?”

He didn’t know what he was going to do. He couldn’t possibly carry him, and trying to move him would only make things worse. He had his cell phone on him, but there was absolutely no reception out here. He should go and get help. Get his truck and drive it into town, letting emergency services know. But what would they do with something like this? Ian stared at the limp tail on the sand, blood gushing out of the warm, velvety, and obviously very real tail. His mind was in a fog, and all he could think about were news crews and scientists and Ripley’s Believe It or Not.

The boy was looking up at him now, his eyes glazing over a little.

“I-I’m gonna be back,” Ian stammered, standing jerkily. “Stay here.”

He ran the rest of the way home, not bothering to pick up the net and tackle he’d left on the ground, not letting himself think about anything until he’d jumped up into the seat of the old Chevy pickup and revved the engine. He stared at his wild eyes in the review mirror for a moment, wondering if he was going crazy. Then he put the truck into gear and screeched out of the driveway.

The seal-boy wasn’t moving when he got back. Ian drove the truck up next to him on the beach, tires skidding in the soft sand, and jumped out to check on him. His eyes were shut, the silvery sand coated his face and body, and his skin was cold and clammy. But he was still breathing. Ian got up again, pulling his heavy raincoat off as he lowered the tailgate. Then he went to the boy and wrapped the raincoat around him, moving his arms into position and rolling him onto the coat and into a bundle.

He staggered a little as he lifted. He was strong, but the boy was deadweight, and the tail was ridiculously heavy. The bleeding seemed to have slowed, and Ian hoped it wasn’t because he had bled out completely. He dropped the prone body onto the tailgate and jumped up to roll him onto his back again, checking for vitals. He was still alive, breathing shallowly, but Ian didn’t know if he was going to make it. Normally, he’d apply a tourniquet to the limb, but in this case, that didn’t seem to be an option.

He swore and pulled the tailgate shut, jumping over the side of the truck bed and hurtling himself into the cab. He tried to drive carefully, but he knew it wasn’t going to matter how gentle the ride was if the boy bled out before Ian could get at him with his medical supplies.

The sun had set completely by the time he pulled up to his cottage, and the porch light flicked on as he hurriedly unlocked the door and let himself in, swatting at the mosquitoes buzzing around him. He grabbed at the old striped couch, dragging it around so it could be easily accessed from the door, and then rifled through a cupboard, pulling out the old, dusty first aid kit.

When he got back out to the truck and lowered the tailgate, the boy was awake again, staring at him with glazed, frightened eyes.

“Come on,” said Ian in what he hoped was a gentle voice. He reached out and slid the raincoat forward, hauling the whole bundle up into his arms. The boy groaned, his voice sounding more human now, and distinctly pained, and Ian carried him into the house.

He kicked the door shut behind him and deposited the boy as gently as he could onto the couch. His hands were bloody again—Ian noticed as he fumbled for the light switch, illuminating the room with dusty, orange light that definitely wasn’t bright enough. Next to the couch, there was an old end table with a lamp, and he grabbed for it, fumbling to knock the shade off and set it up next to the tail, which was drooping off the couch and oozing blood onto the hardwood floor.

“Okay,” he said as he reached for the first aid kit. “It’s been a few years since med school. How many…five? I dropped out too.” He gave a hoarse little laugh. The boy was looking down at him through groggy eyes, and Ian knew he didn’t understand a word he was saying. But talking helped. “Not that I have any idea how to patch this up anyway,” he continued, pulling on his gloves hurriedly and opening a package of sterilized wipes. “I was trained to treat humans. And I’m guessing you are not that. This is gonna hurt, by the way.” A morphine drip would be nice. So would a sterile hospital bed. But this was as good as it was going to get.

The boy hissed as Ian wiped the wound clean, and when Ian pulled out a needle and cotton thread, he lifted his arms and tried to sit up.

“No!” said Ian sharply, raising a hand, and the boy sank back down, his eyes wide in a mixture of anger and fear. Ian finished sterilizing the needle and thread and held them out to show him. “I’m going to stitch the wound shut. I need to, okay? Or it’ll keep bleeding.”

The boy didn’t look reassured.

“I’m trying to help you,” said Ian firmly, eyes locked with him. “You need to trust me.”

“Trust me,” repeated the boy, so accurately that, for a moment, Ian thought he must speak English after all. He looked like he was thinking hard, which must have been difficult, considering the amount of pain and blood loss he’d suffered. Then he glanced down at the wound and back at Ian.

Ian took that for permission and started stitching. The boy was quiet as he did it, and Ian was worried he’d fallen asleep again. It was best he stay awake, at least until Ian could get some water into him. But when he glanced up, the boy was staring at him, flinching only slightly as the needle pierced the flesh.

“I’m Ian,” said Ian, touching his hand quickly to his chest. “I-an.”

“Ian,” said the boy, emphasizing the an a little too much. His voice was clear, and surprisingly deep, considering how young he looked. “Sss…” he said, and broke off into a hiss as Ian tightened and tied off the first stitch. “S’mika.”

“Smika?” mumbled Ian, wiping away a trickle of blood and pulling another stitch through.

The boy frowned at him. “S—” He made a glottal stop. “—mika.”

“S’mika,” said Ian, and laughed a little at how ridiculous this was. “What are you, S’mika?”

S’mika rattled off something in a language that Ian was absolutely certain he’d never heard before, but S’mika’s tone suggested he’d said something like “I can’t understand you, dumbass.”

Ian shook his head and continued working, his hands thankfully steady. S’mika groaned and lay back, and Ian quickly tied off the last stitch and moved up to check on him. He was shaking, and the skin around his mouth was dry and crusted white. A hand on his forehead confirmed he was clammy and feverish.

“Damn it,” said Ian, and he stood and rushed to the sink to pour a glass of water. He brought it back to S’mika, who looked at it, confused. “Like this,” said Ian, taking a drink of the water.

After watching carefully, S’mika took the glass in shaky hands and brought it to his lips. He made a face at it, as if it wasn’t acceptable somehow, before downing the whole glass and passing it back to Ian. Ian took it, feeling like he was the one in shock, and went back to bandaging the wound. “We need to elevate your…um, legs,” he said, once he’d finished taping the gauze to the soft pelt. “It’ll help with the blood loss.”

S’mika looked annoyed that he was talking so much, so Ian shut up, and S’mika let him lift his tail gently onto the arm of the couch. He’d never been too up close and personal with a seal, but he was pretty sure this was a seal tail. It was thick and blubbery, ending in two stunted flippers with claws. “I must be high out of my fucking tree,” he muttered. “Maybe I’ll wake up in the morning and this’ll all have been a really weird dream.”

He glanced at S’mika to see that his eyes were closed again, and Ian decided to leave him like that. If he died in the night…well, Ian would deal with that if it came to it. He suddenly felt incredibly tired. He’d been up before dawn and pulled a long day, and although he’d just celebrated his twenty-ninth birthday a month ago, he was starting to feel the wear and tear of hard living in his bones.

“I’m going to bed,” he said, gesturing at the door to the bedroom. “Call me if you need me.”

S’mika just looked at him, eyes heavy, but reassuringly a little more alert. “Ian,” he said, and Ian supposed that meant “Thank you.”

Purchase

NineStar Press | Books2Read

Meet the Author

J.K. Pendragon is a Canadian author with a love of all things romantic and fantastical. They first came to the queer fiction community through m/m romance, but soon began to branch off into writing all kinds of queer fiction. As a bisexual and genderqueer person, J.K. is dedicated to producing diverse, entertaining fiction that showcases characters across the rainbow spectrum, and provides queer characters with the happy endings they are so often denied.

J.K. currently resides in British Columbia, Canada with a boyfriend, a cat, and a large collection of artisanal teas that they really need to get around to drinking. They are always happy to chat, and can be reached at jes.k.pendragon@gmail.com.

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Release Blitz + Giveaway: The Moth and Moon by Glenn Quigley


Discover new historical alternate universe release, The Moth and Moon, today! Celebrate with debut author Glenn Quigley and IndiGo Marketing! Enter in the $10 NineStar Press credit giveaway!


Title:  The Moth and Moon
Author: Glenn Quigley
Publisher:  NineStar Press
Release Date: March 19, 2018
Heat Level: 2 - Fade to Black Sex
Pairing: Male/Male
Length: 63000
Genre: Alternate Universe, Historical, LGBT, historical, gay, friends to lovers, sailor, baker, pirates, family drama

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Synopsis

In the summer of 1780, on the tiny island of Merryapple, burly fisherman Robin Shipp lives a simple, quiet life in a bustling harbour town where most of the residents dislike him due to the actions of his father. With a hurricane approaching, he nonetheless convinces the villagers to take shelter in the one place big enough to hold them all—the ancient, labyrinthine tavern named the Moth & Moon.

While trapped with his neighbours during the raging storm, Robin inadvertently confronts more than the weather, and the results could change everything.

Excerpt

The Moth and Moon
Glenn Quigley © 2018
All Rights Reserved

Chapter One
Mr. Robin Shipp pulled his cap lower as he took a deep breath of salty morning air and watched the sun emerge from behind the headland. Stepping from the pier into his little boat, he ran his heavy hand across the prow, catching his coarse fingers on the loose, chipped paintwork. He picked a jagged flake off the wooden frame and held it up to the light, the vivid scarlet catching the pinks and oranges of daybreak. He let go and it drifted through the air, carried away on the gentle breeze, before settling on the soft, lapping tide. Most of the paintwork was in some state of distress. Deep cracks marbled the entire hull, belying the fisherman’s profound affection for his vessel. Bucca’s Call had seen better days.

“I’ll paint you tomorrow, Bucca, I promise,” he said.

He made this very same promise every morning, but every day, he found some reason to put it off. Before too long, he was humming to himself and hauling his well-worn oyster dredge over the stern of Bucca’s Call.

“Beautiful!” he said as he emptied the net into a nearby tub. The shells clattered against one another as they fell. The boat bobbed about gently on the waves while gulls screeched and circled overhead. Her nameplate was missing a couple of letters and her white sails were truthfully more of a grimy beige these days, but she was as reliable as ever.

He was close to the shore and could see the whole bay—from the headland to the east, down to the harbour, past the pale blue-and-white-striped lighthouse that sat out at sea on its desolate little clump of rocks and scrub, and over to the beautiful sandy beach curving around and out of sight to the west.

The little fishing village of Blashy Cove sloped up the hills beyond the harbour, and with his gaze, he traced the low, stone walls lining each cobbled road. It was the only significant settlement on the tiny island of Merryapple, the southernmost point of a little cluster of islands nestled off the Cornish coast. The village had everything one would expect to find, except a place of worship. No lofty cathedral had ever been built there, no church of granite and glass, not even the smallest wooden chapel. When the empire of the Romans had fallen a thousand years earlier, its church had fallen alongside it. The invaders hadn’t lingered long on the mainland, and had never set foot on these islands. Once they were gone, the people picked through the remains, seeing the value in certain aspects and thoroughly disregarding the rest, scouring the regime clean from the face the world and consigning it meekly to the tomes of scholars and students. In its absence, the old gods returned to their forests and deserts, their mountains and streams, their homes and hearths. Spirits of air and land and sea. Woden and Frig, The Wild Hunt and the Bucca, piskies and mermaids, the Green Man and the wights, all were changed, made kinder and gentler by their brief exile. On these islands, the old ways had been the only ways, but even these had mostly died out, sloping into traditions, superstitions, and habits. It was now August in the year 1780, and people believed in themselves.

At this time of morning, sunlight hit the brightly painted houses and sparkled on the gentle, rolling waves. The village’s livelihood mainly revolved around the sea, but there was more to life than just luggers and lines and lobster pots. The Cove had long been a haven to those of a more creative bent. Painters and sculptors, engineers and inventors, they all found their home there. Some of them had come from the nearby Blackrabbit Island, which wasn’t known for its love of the finer arts. This abundance of skill, and the nurturing of it, meant Blashy Cove had adopted some innovations not yet common in the rest of the world.

Robin had been out for some time by now and, as usual, had already eaten his packed lunch. Soon, his substantial belly rumbled and he decided it was time to head back to port. Packing away his nets, he heaved in his empty lobster pots, secured the tub filled with this morning’s catch, and sailed the small craft homeward. As he did, he noticed a thin, grey line on the horizon.

“Looks like some bad weather on the way, Bucca,” he muttered to the little boat.

The stern of the curious little craft sat low in the water, due equally to the weight of the morning’s catch and the significant heft of Robin himself. While at first it appeared to be a traditional lugger, the kind of boat used by most fishermen in this part of the world, Bucca’s Call was actually much smaller and faster, a one-of-a-kind built many years previously.

Huge ships from the mainland drifted past, their enormous sails billowing in the breeze. Merryapple was part of a small group of southerly islands, and the last sight of land some of the mighty vessels would see for weeks, or even months.

Merryapple Pier was the oldest one anybody knew of. The brainstorm of a local fisherman many years earlier and copied by many other villages since, it might well have been the first of its kind. This clever fisherman realised if there was a way for larger boats to offload their cargo directly, rather than having to put it onto smaller vessels to ferry back and forth between harbour and ship, it would increase the traffic through the little port. The pier stretched out past the shallower waters near the coastline. Little sailboats like Bucca’s Call could dock right up close to the beach or even on the sand, if need be, while bigger fishing vessels could use the far end, in deeper waters. The pier was constructed from huge boulders hewn from the island’s cliff face and supported by a framework of long wooden poles from the woodlands. In the evening, bigger boats from the village fleet usually dropped anchor in the bay, while smaller vessels stayed moored to the pier.

At the shore, some children were chasing each other around a pile of crab pots, hooting and hollering while May Bell finished her deliveries for the bakery. May was around the same age as the other children, but she was of a more industrious bent. She saw Bucca’s Call approaching and ran to help Robin secure his mooring line as he lugged the tub of oysters onto the pier. When he clambered up the weathered stone steps, he steadied himself with a hand against the wall. The steps were wet and slippery, with dark green mould threatening to envelope his heavy boots should he linger too long.

“Morning, Mr. Shipp,” the girl called as she finished tying the worn rope around an old, pitted stone bitt.

“Mornin’, May! Thanks for your ’elp,” he called back, waving to the girl as he lumbered past. Taller than any man on the island, he dwarfed the little girl, drowning her in his shadow.

“Time for food already?” she asked.

“Oh yes,” replied Robin, “an’ I know just the place to get some!”

His legs were stiff from sitting in the boat all morning. He knew he was supposed to get up and move around a bit every once in a while, but when he was out on the water, the chatter of the gulls, the lap of the waves, the smell of the sea air, it was all so relaxing he just didn’t notice the time going by. Only his stomach growls marked the hours.

Mrs. Greenaway, wife of the village doctor and a friend of May’s parents, happened to be passing by on her way home from the market. Seeing their exchange, she scrunched up her face, adjusted the bow on her bonnet, and seized the little girl by the arm, leading her away from the pier and avoiding Robin’s disappointed gaze. He knew May from the bakery, as the master baker was one of his very few friends, but it wasn’t uncommon for people to avoid him.

Robin heaved the awkward tub full of oysters up and marched towards the bustling market, which was a collection of simple wooden stalls selling everything from food to clothes to ornaments. He edged his way through the crowd, past various stallholders and shoppers as he struggled with the heavy container. Finally, he reached the largest stall, which sold all manner of fresh seafood, all caught in that very cove. Robin specialised in inshore fishing, whereas the other boats concentrated their efforts farther out to sea. He was one of only two oyster fishermen in the village. The other, Mr. Hirst, was ill and hadn’t been out in his craft for almost two weeks. He was married, with a young family to feed, and the village had rallied around to help and make sure they didn’t go hungry. The lack of competition, however, meant Robin was securing a bumper crop.

A tall, thin man in a white coat was scribbling notes onto a wad of yellow paper. In front of him lay a collection of various local fish, in everything from buckets to barrels to battered old copper pots.

“Got a nice batch for you this mornin’, Mr. Blackwall.” Robin beamed, holding up the tub so the fishmonger could get a good look.

“Yes, these will do fine, I suppose, Mr. Shipp. Put them down at the front.” Mr. Blackwall was notorious for not getting too hands-on with the product or with much of anything, really. He kept his distance from the beach and fairly resented having to be even this close. Wet sand upset him greatly, as it had a tendency to cling to his shiny boots and sometimes it even marked his pristine coat. He didn’t do any of the actual work with the fish, instead leaving it to his assistants. He’d often said he didn’t see the point of having a stall at all when he had a perfectly good shop on Hill Road. But the market was a tradition in Blashy Cove, and so he had no choice but to participate or lose out. He jotted some numbers down on his paper and then chewed the end of his pencil as he tried to add them up. He always did this, and he never did it quickly. Robin stooped and laid the tub on the ground as instructed, grunting as he straightened.

“Joints sore again?” the fishmonger asked out of sheer politeness, not looking up from his calculations.

“No more’n usual,” Robin replied, rubbing the small of his back and rotating his shoulder. Working the sea wasn’t easy, and it had taken its toll over the years.

Ben Blackwall reached into his inside pocket and produced a fistful of polished coins, which he delivered into Robin’s large, callused hands. Robin nodded appreciatively and stuffed them into the pockets of his calf-length, navy-coloured overcoat. Tipping his floppy, well-worn cap to his long-time buyer, he turned and headed away from the dock.

He passed by other villagers going about their morning routine and jumped out of the way of a horse and cart loaded with apples from the orchard over the hills as he headed straight for the immense building dead ahead. It was a massive, ungainly lump, set in the centre of a spacious courtyard, all crooked wooden beams and slanting lead-paned windows. Every now and then, a shabby bay window or wonky dormer jutted out at funny angles. It was hard to tell exactly how many floors it had. Five, at least, the topmost of which sat like a box that had been dropped from a great height onto the rest of the structure. Rumpled, uneven, and crooked, this odd addition had one large, circular window on each of its four walls. On the ground outside, wooden tables and chairs were arranged, and heavy planters overflowed with hardy, perennial shrubbery. A couple of fat seagulls noisily argued over a few crumbs dropped near the windbreakers. This pair were here so often, they seemed to be part of the building itself. The locals named them Captain Tom and the Admiral. Captain Tom was the leader of a particularly noisy and troublesome band of gulls, and the Admiral was his main rival. They would often fight over even the tiniest scraps left on the ground, and both were marked with more than one battle scar.

As he pulled on the heavy oak door, the sign hanging overhead creaked and groaned in the wind. Painted on chestnut from the nearby wood, the bulk of the sign was older than the village itself, but it had been modified many times. Formed of several expertly carved layers, it now looked more like a child’s pop-up book rather than the simple plank of wood it had once been. The overall effect was of peering through a forest, out over the cove at night. The outermost tier resembled a ring of tree branches, gently moving up and down. Behind that layer were the turbulent waves, which clicked from side to side. Finally, there was the static crescent moon with a single cerulean moth flying slowly around, completing one revolution every hour. The whole sign ticked and whirred endlessly as its springs and cogs went about their work, and had to be wound up twice a day using a long, metal key kept tucked behind the tavern’s main door. The name of the establishment was weaved around and through the artwork in gold.

This wasn’t simply a place to drink or gather with friends; it was a place to conduct business, a place where people married, and a place where people mourned. It was a refuge from bad weather and jilted lovers. This was the heart and soul of the little village.

This was the Moth & Moon.

Purchase

NineStar Press | Amazon | Smashwords | Barnes & Noble | Kobo


Meet the Author

Glenn Quigley is a graphic designer originally from Dublin and now living in Lisburn, Northern Ireland. He creates bear designs for www.themoodybear.com. He has been interested in writing since he was a child, as essay writing was the one and only thing he was ever any good at in school. When not writing or designing, he enjoys photography and has recently taken up watercolour painting.

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Release Blitz + Giveaway: Out of the Ocean by Lynn Michaels


Celebrate the release of Out of the Ocean with author Lynn Michaels and Signal Boost Promotions! Learn more about the age difference romance and enter in the $10 Amazon gift card giveaway!





Length: 26,500 words approx.

Cover Design: Decorous Anarchy Studios


Blurb

Cal Bigsby spent his life working the fishing boats and ignoring who he really is and what he needs to be happy.


Prescott ‘Scott’ Vandenburton is being primed to take over Daddy’s company, but he craves a life of his own. His only escape is sailing his yacht.


When a freak storm hits, both are forced to think about life from a whole new perspective.


Shipwrecked, fighting for their lives, and finding unexpected love.



Excerpt


“Well, we do have some food here,” Scott said, as Cal sorted the nets.


“Yep.”


“I have some crackers and a can of smoked oysters. Want that for breakfast?”


“Nope.”


“Aren’t you hungry, Cal?”


Cal grunted. “You need to ration that food. Who knows how long we’ll be out here.” There was no way Cal was going to take food from Scott. He couldn’t.


“Uh…you mean we.”


“Huh? No.”


“Don’t grunt at me. This is serious. You’re sharing this food with me. Now what do you want to eat?”


Cal ignored him. Scott meant well, but his own instincts wouldn’t let him compromise. No matter what happened, Cal had to do everything he could to protect Scott, make sure he survived. Nothing else mattered. “Have some crackers, Scott. I’m busy.”


Author Bio


Lynn Michaels lives and writes in Tampa, Florida where the sun is hot and the Sangria is cold. Lynn is the newest addition to Rubicon Fiction, and she loves reading and writing about hot men in love. She writes paranormal and contemporary MM Romance


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Blog Tour + Giveaway: The Lure of Port Stephen by Sydney Blackburn


Sydney Blackburn, along with IndiGo Marketing, hosts The Lure of Port Stephen blog tour! Drop in for a quickie (interview), book info and a giveaway--win any NineStar Press eBook!




Title:  The Lure of Port Stephen
Author: Sydney Blackburn
Publisher:  NineStar Press
Release Date: May 22, 2017
Heat Level: 3 - Some Sex
Pairing: Male/Male
Length: 29900
Genre: Contemporary, sweet, blue collar, class difference, interracial, camping, fishing, coming out, Lake Erie, Canada

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Synopsis

Robbie Wales is young and starting a new job in a new town, on his own. Coming from a split family, he was raised by his mother and maternal grandparents and came out as a teen without a lot of fuss, but his father, whom he only saw infrequently, has never known. As an adult, he's found he's got a lot in common with his father, and they're finally getting to know each other. He fears coming out to his father may jeopardize that.

Then he meets Raj Williams, the attractive man in the trailer next to his father's in a seasonal RV park. Raj is handsome, sophisticated, yet loves to fish and watch silly Disney movies.

Raj finds Robbie equally interesting. But Robbie's still in the closet, at least in Port Stephen, and Raj's ex used that as an excuse to treat him as nothing more than a friend with benefits. He's not interested in a repeat experience.

Robbie finally finds the courage to come out to his father, but was it all just for a summer fling?

Excerpt

The Lure of Port Stephen
Sydney Blackburn © 2017
All Rights Reserved

Chapter One

Robbie Wales rented a car Saturday morning to go down to his father’s trailer in Port Stephen. Alone—because he’d just moved to St. Albans and hadn’t had the opportunity to meet someone. Like Dad and Wanda had been nagging him about.

It would help if he could actually tell them the someone he hoped to meet was a guy. His mother knew, of course. But his parents had split when he was a baby, and he hadn’t spent more than a couple weeks a year with his father until he’d moved to Woodstock for his apprenticeship training. He’d never had a boyfriend serious enough to mention. Coming out seemed too important not to do in person, but the right time never seemed to come up.

He had to come out to them soon—he was twenty-two, and the more time he spent with them, the more obvious it would be—but he was worried. What if his father rejected him just when they were finally having a real relationship? But—new job, new apartment, new city—it was time.

St. Albans was only a twenty-minute drive away from the port. He could, in theory, hang out and fish during the day and go back to town at night. It wasn’t that he didn’t like sitting around their firepit, but listening to a bunch of people his parents’ age or older wasn’t his idea of a fun time. They wouldn’t miss him.

He pulled in beside the end of his parents’ trailer, leaving room for other vehicles in case the people in the small Prowler next door had friends coming up for the weekend too. Robbie grabbed his duffel and used the keys his father had given him last year to let himself in. The water and electric were already on, and the fridge was humming softly.

He dropped the duffel and went out to retrieve the case of beer he’d brought. Hard liquor would take up less fridge space, he mused. Too bad it made him stupid. He gave the neighbouring trailer a sidelong glance. Small propane grill, decorative urns spilling jewel-tone flowers, sun shelter, and a couple of fishing rods. Retired couple, he decided. Flowers had to be a woman’s touch.

Movement on one of the boats caught his eye, and he turned just in time to see a man—literally tall, dark, and handsome—strip his T-shirt off. There was nothing erotic in the motion—guy probably didn’t even know he was being watched—but Robbie’s mouth watered all the same at the unexpected vision.

He was lean, deeply tanned, and wearing shorts that were short enough to make Robbie wish they were even shorter. Nice legs. Nice everything.

As if sensing Robbie’s stare, the guy turned his head. Robbie blushed, glad he was too far away for it to be seen, and hurried to bring in the beer. That was a sight he’d never seen here before. Was he the son of the couple in the trailer?

One way to find out. Randomly chatting to strangers was a thing here, giving Robbie an excuse. He stuck six beers in the fridge and took two of his father’s, already cold, and hastily checked his look in the mirror. His sandy-brown hair was tousled from the drive, but there were no stains on his tank or rainbow-coloured board shorts. Good. Normal. He pulled his sunglasses down over his eyes and almost forgot the beer on his way out the door.

Walking along the waterfront, he tried to appear nonchalant, though he’d never been 100 percent certain of what that meant. As he strode out onto the dock, the guy raised his head. He looked even better up close. His hair was thick, dark, begging to be ruffled… Try not to drool, Rob. He didn’t have the words to describe the guy’s mouth—full lips he’d love to kiss, a pinkish-brown colour a little lighter than his nipples. Dark hair scattered across a gorgeous dark tan. Robbie licked his lips before he realized what he was doing.

Then Tall, Dark, and Handsome’s kissable lips pulled up into a smile, and long fingers with very pale fingernails shoved the sunglasses up over his hair. “Hey.”

“Hey.” Robbie handed him a beer. “You looked thirsty. Boat trouble?” he added quickly, squatting down to eye level. Tall, Dark, and Handsome had eyelashes like a woman’s—long, feathery, soft. And his eyes were amber, a little darker than the beer he’d accepted from Robbie.

“Thanks.” He pushed a hand behind his ear, and Robbie’s tongue slipped out to swipe his lower lip again.

The handsome stranger twisted the cap off the beer and tipped the bottle to his mouth, his long throat working as he swallowed once, twice.

Robbie let his gaze slide down the deeply tanned bare chest in front of him. Gay men, in his admittedly limited experience, tended to wax their chests. Trying to match the guys on billboards and magazines, he supposed. Handsome here had a sparse triangle of dark hair from below his collarbone across pecs with more definition than he’d initially thought. Gravity pulled a trickle of sweat down the narrow bit of hair in the center of his torso, one that disappeared… Robbie forced himself to not stare as if the guy was the first steak dinner he’d seen after months of bread and water.

Tall, Dark, and Handsome was glaring at the cables he’d uncovered that led to his motor. “It pulls to the left.”

pulled his shades down, hiding his eyes. “You know much about boats? You’d think I’d learn, owning one, but goddammit, I had it in for a thorough check in St. Albans before I put it in the water.”

“I know a little more about outboards than inboards,” Robbie said truthfully, “but I’d be happy to take a look.”

TDH waved vaguely toward the open panel. “Sure. Please.”

Robbie’s heart tripped a little at getting so close to his new fantasy man, and he nearly lost his balance getting into the boat—to his embarrassment. TDH’s steadying hand was hot and dry, and Robbie nearly jumped as his cock twitched.

“Fuck,” he said, before he could stop himself. His voice was hoarse, but he hoped TDH would think he was cursing his clumsiness and not his riotous imagination.

The smile on his face seemed sly and suggestive to Robbie, but he figured that was wishful thinking on his part. He smiled back and took a swig of his beer. Down, boy, he told his overeager cock. He set his bottle in a holder and turned around, kneeling to examine the innards exposed.

“Huh. Interesting,” he said, having no idea what he was looking for.

“Isn’t it, though.”

His voice was like a caress. You’re imagining things, Robert Eliot Wales. He leaned back to sit on his ass and reached up for his beer. He froze momentarily as TDH sat on one of the pedestal seats. He could almost—but not quite—see up the leg of his shorts. Stop looking.

He forced himself to raise his gaze all the way to the other man’s face. “Tell me exactly what it’s doing?”

“When I put it under full throttle, it pulls to the left. I don’t notice it on the creek, but out on the lake this morning, it pulled so hard it almost yanked the wheel out of my hands.” He ran a hand through his hair again.

Robbie knew he was staring, but he hoped it wasn’t too obvious behind his shades.

“First time I’ve been scared on the water.”

“Sounds like your trim is out of whack. Maybe you bumped something in the creek?”

“Maybe,” he said. “It seems rather shallow this year. So I have to take it out of the water?”

“Yeah, I think so. When my dad gets here, he’ll take a look. He knows a lot more…” Geez, he sounded like a teenager. “Robbie Wales,” he said, thrusting out a hand, more dirty now than it had been twenty minutes ago.

“Raj Williams,” he said, grabbing his hand and pulling him to his feet.

Raj. That explained the great tan. Even if he still had tan lines, his bare ass was probably a gorgeous honey gold…. He shook his head. “That’s my dad’s trailer.” Robbie jerked his head. “The Golden Falcon there.”

TDH—Raj—laughed. “Tell me that’s not your dad’s name.”

“What?”

“Wayne and Wanda Wales of Woodstock.” He snickered. “Say it ain’t so.”

Robbie chuckled at the awful alliteration. “It ain’t so,” he reassured him. “Wales is my mother’s name. Dad’s is Richardson. And Wanda kept her own name, Nichols. I take it you’ve met.”

“Neighbours. Your dad is very…sociable.”

“They say in Woodstock, if you don’t know Wayne Richardson, it’s not Wayne Richardson’s fault.”

“I can believe that.”

Neighbours. So… “Which trailer’s yours?”

“This one,” he said with a pleased nod toward the Prowler. “My company started a work-from-home initiative, and I talked them into paying for my Internet to work from here, instead.”

Ah. Straight and married then. Robbie nodded, trying not to show his disappointment. “Where is home when it’s not Port Stephen?”

“Toronto.”

Robbie felt his eyes widen. “My god, you must feel like you’re in redneck country.”

Raj laughed again, a warm, rich sound that Robbie liked very much. “Kind of,” he said. “Let’s go sit in the shade. My deck’s a little iffy; carpentry isn’t my forte. Along with boat mechanics,” he added ruefully. “I can refresh your beer.”

Eh, he could still fantasize, as long as he didn’t have to watch TDH kissing his no-doubt-pretty wife. “Sure. Thanks.”

The deck, which looked like freight pallets bound together, had an outdoor rug on it and two director-style chairs. Solar LED lights were strung across the canopy. The flowers in each corner were bright primary colours, so intense they almost seemed fake. Nestled against the trailer was an electric cooler. Robbie watched those shorts get a little shorter and tighter as Raj leaned over to grab two cold bottles. To his horror, a whimper came out of his throat before he could stop it.

He cleared his throat and spun to examine one of the flowerpots. “Nice flowers.”

“Thanks. My apartment is tiny without much in the way of a balcony. But I’ve always admired those perfectly landscaped little houses on the magazine covers. Clearly, I’m not a landscaper or a designer either, but it makes me happy—those ridiculously bright flowers.”

“Oh. So you’re not married?”

Raj smiled at him, an expression that seemed full of hidden meaning. “Haven’t met the right person yet. And you? Will you be bringing someone special down to share romantic evenings on the beach?”

Robbie blushed. “No.” He’d never put Port Stephen and romantic together in his head. “So, why here?”

“The fishing. And I can have this place for five months for the same price a month’s rent would cost me in Toronto.”

Robbie opened his mouth to ask another question but frowned. “You’re not paying rent in Toronto? Are you moving here, like, permanently?”

“Hell, no. Can you imagine going all the way to Bayham just for groceries every week in the winter? Do they even have a bar that doesn’t serve a Sunday brunch?” Raj laughed.

Robbie hadn’t realized before now sound could be a thing one wanted to roll in—or lick up.

“Don’t think so,” he managed to say.

“I sublet my apartment for the season, so until October first, it’s not actually mine. I still have a place to live at the end of the season but don’t have to pay the rent. I love it here”—he gestured toward his boat, or perhaps just the water in general—“but it would be nice to meet some people under forty and over twenty.”

Robbie opened his mouth to invite Raj along with him to St. Albans some night. “You met me.” He hadn’t meant to say that, but for some reason the idea of Raj meeting someone other than him made his stomach twist.

Raj smiled. “True…”

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Interview Quickie with Sydney Blackburn, author of The Lure of Port Stephen


What’s harder, naming your characters, creating the title for your book or the cover design process?

Again, for me, this depends on the work. I think it's kind of silly to pick a Portentous Name for a character unless there's a major plot reason for it, so names come pretty easily. Characters often just tell me, which simplifies it a lot. Titles either come like that ::snaps fingers:: or I agonize over them. No inbetween!  And covers... well. I'm a designer myself, so I can be picky.

How do you answer the question “Oh, you're an author...what do you write?"

I smile and say, "Mostly gay romance."

What does your family think of your writing?

My spouse is supportive in hopes of me becoming a rich, best-selling author. My sister cheers me on, but I don't think anyone has actually read any of it.

Tell us about your current work in process and what you’ve got planned for the future.

I have several current works in progress, including a first draft of a contemporary  bi/ace-demi romance, a sci-fi romance set in my non-romantic Quicksilver universe, and a contemporary m/m with a winery owner and a biker. I still hope to have a holiday story for December, but we'll see. Also, I've co-authored a superhero story and if we sell it, and it does well, there's three more books planned.

Do you have any advice for all the aspiring writers out there?

LEARN YOUR CRAFT. Words are a writer's tools; if you don't know the difference between a vendetta and a bandana... Oh, and, keep writing, that sort of thing.

Meet the Author

Sydney Blackburn is a binary star system. Always a voracious reader, she began to write when she couldn’t find the stories she wanted to read. She likes candlelit dinners and long walks on the beach… Oh wait, wrong profile. She’s a snarky introvert and admits to having a past full of casual sex and dubious hookups, which she uses for her stories.

She likes word play and puns and science-y things. And green curry.

Her dislikes include talking on the phone, people trying to talk to her before she’s had coffee, and filling out the “about me” fields in social media.

Besides writing, she also designs book covers for poor people.

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Review: Island Counselor (Island Medics #2) by Sue Brown

Counselor Logan Wilde has a successful therapy practice in London, but when a traumatic incident there leaves him suffering from PTSD, he takes refuge in his holiday cottage on the Isle of Wight, unable to face going back to work. Not that he’s allowed to relax. Logan’s time is taken up with helping Liam Owens, plus there’s Nick Brent, whom Logan discovers collapsed on the beach. Nick and Logan spend their time bickering with each other, but that doesn’t alter the attraction they feel.

Logan is forced to make some hard decisions about his future, which entails facing up to recent events. Only he’s not alone—Nick is with him. Unfortunately someone else makes a decision too, and now trouble is on its way to the Isle of Wight.




I really love the books Sue Brown writes and sets on the Isle of Wight, they are just my type of go-to comfort read. Island Counselor is the story of Logan and Nick and the rocky road to romance. 

I think the setting is integral to why these books work. The Isle of Wight is a small island just off the south coast of Britain. It is about 25 miles by 13 miles and is just a short ferry ride from the mainland - and it's a beautiful, beautiful place. Made of villages, small towns, a stunning coastline and gorgeous countryside, the setting lends itself perfectly to cosy romances. 


Nick and Logan are both suffering from events in their pasts, one with physical injuries and the other with mental scars. Together they slowly start to make headway into their problems, though there is plenty of reluctance despite an instant attraction. Rather than hurt/comfort, this is more a story of healing; of facing fears and demons and learning to trust and love again. 

Sue Brown writes in a way that is sweet without bringing on tooth decay! Her characters have character, they can be snarky and humorous and kind and sexy. I really enjoy her writing, it is easy read, but isn't lazy - it doesn't rely on hot n heavy sex scenes to carry a poor story. She writes well; it is simple in a way that this kind of romance requires (at least in my opinion) but it is in no way boring. So many times I have to skim read parts of books because they feel so over done. I never have the feeling of I've read this before, even though the author has several books in the same setting. Maybe the structure is similar, but the characters are fresh and unique and each story their own.

I will always be looking out for more from this author, they are a Sunday afternoon comfort read as far as I'm concerned. Me likey! 



A copy of this book was given in exchange for an honest review.
For more information see Dreamspinner Press or Goodreads.


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